Exploring Johannes Brahms's Third Symphony and His Personal Relationships

Johannes Brahms (1833-1897) was born in Hamburg, Germany. He was an extremely gifted musician, and thought of by many to be the true successor to Ludwig Van Beethoven’s legendary musical genius. He was a sensitive man and a perfectionist who poured over his work, which was known for its intimacy.

Brahms became close friends with Robert Schumann and his wife, Clara, both brilliant composers in their own rights. When Robert contracted syphilis, Brahms supported Clara as Robert’s mental health declined, and helped raise their children following Robert’s death in 1856. Although the correspondence between Brahms and Clara show an intimate affection for each other, they never became romantically involved after Robert’s death. Perhaps they thought it would be a betrayal of Robert’s memory.

The third movement of Brahms's Third Symphony is well known for the yearning, sorrowful cello melody at the start and close of the piece. It is undeniably beautiful. The intimate nature of this particular work draws from the deep longing for Clara Schumann that many believe Brahms had, but never acted on. The longing lyrical melody cries out, “I want to be with you, but I can’t bring myself to say it.”

There is hope in the middle of the piece as a lighter three-note musical thought pulls the listener away from sadness, as if Brahms was imagining a world in which they were together, or trying to convince himself that they would have Robert’s blessing. But the darker thoughts slowly return, eventually overcoming the hopeful melody. Maybe Brahms concluded that if there ever was a chance, it’s gone now and there is nothing that could be done, and the music reflects that.